Month: February 2016

Robots Won’t Take Your Profs’ Jobs

I’m going to weave a few themes together for you today; it’ll make sense by the end.

We begin with a friend’s comment last week about robots taking everyone’s jobs. I called him on the lump-of-labor fallacy—there isn’t a fixed amount of work to be done in an economy and therefore technology only creates jobs. You can argue the fallacy as much as you like, but don’t talk about robots taking our jobs until you’re aware of it.

I wrote about robots in the past, when Paul Krugman popularized it in December 2012. I’ve revisited it and found an interesting exchange between Sandwichman and Nick Rowe that I missed last year.

To summarize: Sandwichman argued that the lump-of-labor fallacy is really Say’s Law in disguise. Say’s Law is to me a confusing, contentious tautology that evades a concise rendition. My crack? An economy’s production supplies it with sufficient purchasing power to consume that production. Thus, under normal circumstances there can be no general surpluses, including labor. Keyensians, including Krugman, reject the strict use of Say’s Law but for some reason still point at the lump-of-labor fallacy.

Rowe countered that technology’s impact depends on people’s preferences and money. People can simply consume more of what they make, or the central bank needs to give them more money to increase their consumption. I didn’t like some parts of Rowe’s model, but his last, parenthetical paragraph closes the issue perfectly: Technology is only a problem if it displaces workers from land.

I’m starting to think that maybe just about all productivity advances substitute for land and not labor, which is good. The converse is rare, e.g. Dutch disease scenarios where technology makes it easier and more profitable to extract oil than pay workers to make stuff. The workers don’t get the benefits, unlike the landowners, and they can’t leave the country. The land question precedes and supersedes any discussion of technology.

Theme number two is “cost disease,” the explanation of higher college tuition costs on lack of productivity improvements in lecturing. The illustration for cost disease is a string quartet, which takes the same quantity of labor to produce as ever. Cost disease came up twice in the legal-education context in the last few weeks. Once by a dean claiming that scambloggers ignore it, and again by a study pointing at federal student lending as the fuel for higher college tuition, aka the Bennett hypothesis.

I chewed on these two ideas while at … the Saint Paul Chamber Orchestra, which was performing Aaron Copeland’s Appalachian Spring with some other stuff for padding. It was a real treat, and right at the finale of Mozart’s Piano Concerto No. 24 in C minor*, it all came together. It was a really rewarding feeling.

(* Mozart only composed one other piece in a minor key. I have absolutely no ear to tell keys, but it was lovely.)

So, what does last year’s lump-of-labor discussion tell us about cost disease?

We can set up a model just as Rowe did for Sandwichman, but instead of labor hours, as a good Georgist I’ll use land. 60 people live and work on 60 hectares; 30 grow apples and 30 grow bananas, one each of everything. (Numbers divisible by 12 are always good.) Nobody wants their own type of product, so they trade for the other. Someone stumbles on an apple-growing process that doubles productivity. One of three things happens:

(a) The apple growers each double their output, leaving the bananas constant. 30 hectares grows 60 apples, 30 hectares grows 30 bananas. The ratio of apples to bananas doubles to 2:1, but bananas’ share of the output has fallen to one third. The apple growers really want those bananas.

(b) Banana growers really want their apples, so 20 apple growers double their output, but 10 apple growers switch to banana cultivation. 20 hectares creates 40 apples, and 40 hectares creates 40 bananas. This situation creates an equilibrium for the ratio of apples to bananas, 1:1.

(c) Same as (b), but the 10 hectares shifted to banana production go to a third commodity. This situation is essentially identical to (a), since bananas are what we care about.

Cost disease says that higher education is like situation (a) (and (c)). Productivity “enables” people to satisfy their preferences for the same stuff when we want it to increase their purchasing power to demand new stuff. Here, the more productivity increases, the more income goes to the unproductive.

Now for the twist: If banana-production technology never improves, and people’s appetite for bananas doesn’t wane, we can say that the supply of bananas is inelastic—insensitive to changes in price. But that’s exactly what proponents of the Bennett hypothesis argue: Higher education is a positional good, so educators absorb money lent to students to buy it.

So what’s the difference between the Bennett hypothesis and cost disease? Formally, they’re the same, so the policy responses should be the same: Lending money to people to buy educations that don’t respond to price changes is no different than increasing their productivity, ergo don’t lend the money. Just as Sandwichman argued that Say’s Law is the lump-of-labor fallacy, so too is the cost disease really the Bennett hypothesis.

The function of cost disease, though, I think is different. It’s raised to neutralize the positional-goods argument implied by the Bennett hypothesis. It’s not that education is a rat race, they argue; rather, it’s that we can’t make the rat race better.

If that sounds like a non sequitur, it’s because it is, but with logic like that we needn’t worry about robots replacing the profs.

CBO Misleads on Household Formation?

Last year, the Congressional Budget Office reported in its “Budget and Economic Outlook” that better job prospects and easier access to mortgages would help accelerate household formation. At the same time it raised concerns that student loans were inhibiting people from buying houses.

I thought the CBO was living in a fantasy world about household formation, and soon after the Federal Reserve Bank of New York agreed with me. However, going by this year’s “Budget and Economic Outlook,” it looks like I could be wrong: Household formation started rising as the CBO predicted.

"Household formation is the change in the average number of households from one calendar year to the next."

“Household formation is the change in the average number of households from one calendar year to the next.”

(Page 163)

At first I thought, “Well, it might be the start of a trend, but I don’t see why it’ll continue.” But then I looked at the Census Bureau’s household data (Table 13a), which the CBO was clearly relying on. It turns out, when you look at the whole calendar year, and not just the average, household formation spiked until mid-2015, and then it collapsed.

YoY Change in Household Formation by Month

Household growth in 2015 could be a blip in either direction, but I’m curious how 2.2 million households would choose to form in December 2014. Seems like an awful time of year to do it. Even the CBO concedes household formation could be slower than it expects (page 54).

I think the CBO should’ve inspected the household data a little more closely before concluding that residential real-estate construction would contribute to economic growth. It said nothing about the vacancy rate, which I’ll look into when the Census Bureau updates those data.

NY Fed: Student Debt Delinquencies Still High in 2015

What started in 2012 just isn’t stopping. According to the Federal Reserve Bank of New York’s Housing Debt and Credit Report, the percent of student-loan balances that are 90+ days delinquent was about 11.5 percent at the end of 2015, about where it was a year ago. Delinquencies for all other household debts save credit-card debt fell last year:

Student-Loan Delinquencies (2015)

This year, the NY Fed declined to discuss all those bad student loans, unlike last year.

Between fourth quarter 2014 and and the end of 2015, all non-housing debt grew from $3.15 trillion to $3.37 trillion. Student-loan debt accounted for 31 percent of the $220 billion increase.

Meanwhile, looking through Department of Education data, only 51.74 percent of all $1.204 trillion in federal student loans are in active repayment. 21 percent are in deferment or forbearance, and 9.5 percent are in default. Of the $585.8 billion of direct loans in repayment, forbearance, or deferment, $188.2 billion are on IBR or PAYE. Nearly one-third of all direct loans in repayment are in one of these plans, about 15.6 percent of all student loans.

This just doesn’t end. Until it will.

Last Gen X American Theater Review: Star Wars

I saw Star Wars last weekend. Not Star Wars: The Force Awakens, I mean Star Wars, the original. As in, the opening crawl included neither “Episode IV,” nor, “A New Hope,” just “STAR WARS” and then text, signifying that this was indeed the 1977 version. Sometime in the mid-2000s, Lucasfilm caved and offered a limited edition of the original three Star Wars movies, which included bonus DVDs of the un-CGI-ed movies I grew up with—in widescreen. I haven’t so much as tested the “Special Edition” discs.

I think I’ve seen Star Wars twice in the last decade, with the last time being the uncut version (29:22!), so with some time to let it rest in my mind, and watching it with someone who’d never seen it before, I approached the movie with as fresh a mind as I could. I’m certain I watched it scores of times since childhood (once dubbed in Japanese, which was awesome), so I’m definitely unprejudiced. Here are my thoughts:

Luke Skywalker:

Luke wasn’t as whiny as I remember, but he didn’t have much of an arc. Sure he goes on the hero’s journey, but he’s never given an opportunity to opt out. Either he runs off with Ben Kenobi on a swashbuckling adventure, or he sweeps his relatives’ charred corpses into the ditch and becomes a moisture farmer. It’s not much of a choice: “Steinbeck in Space” would’ve been a hard sell.

Part of my problem is that the movie builds up to Luke rejecting Uncle Owen’s libertarian isolationism, but Luke is cheated of that moment. It would’ve more exciting if, rather than being murdered, his aunt and uncle cooperate with the Empire to recover the droids. Uncle Owen may’ve figured the droids weren’t worth his life. He would try to convince Luke to give the droids to the stormtroopers and Luke would’ve said no, perhaps knowing that his decision would doom his relatives.

It’s dark, but Star Wars paints Luke as released when Uncle Owen and Aunt Beru are killed, like lifting a great weight from him. He never pins a stormtrooper down and blaster-rifle-butts his face in screaming, “You killed my family, you bastards!” That would’ve even offered a motivation for him to experiment with the dark side of the Force.

Imperial Savagery:

Relatedly, Star Wars depicts the Empire as alternately incompetent and downright savage—off screen. Luke asks why the Empire would want to murder Jawas, but simply answering, “It’s the droids, dummy,” isn’t good enough. Sometimes people will answer your questions without needing to shoot them or even threaten them beyond showing up with a platoon of stormtroopers. They get the hint. The Jawas had no reason to resist the Empire either. They didn’t have the droids and they’d already been paid. It’s not like they owed customer confidentiality to Uncle Owen and Aunt Beru.

As stated earlier, Luke’s relatives didn’t need to resist the Empire either. The stormtroopers had every reason to give them the, “Sir, can you call your nephew and tell him to bring those droids right back here? He’ll be in deep trouble if he doesn’t” treatment. Sure, the scene of Luke returning to his burning home is iconic and superbly executed, but it’s the easy way out for the character.

So, did the Empire kill every single person they came across on Tatooine who so much as looked at R2D2? I think not. Just when it was convenient.

Han Solo:

I chuckled when he shot Greedo. First. It was a great scene to establish the character. However, this time around I found him bizarrely reckless. His fearlessness is endearing, but he runs after some stormtroopers in the Death Star for absolutely no reason. Luke rightly cries, “Where are you going?” He also fires his blaster needlessly at times, e.g. at the trash compactor monster. It’s a wonder he wasn’t killed. At least he has more of an arc than Luke because he decides to go back and join the attack on the Death Star, but it isn’t particularly deep.

The Death Star:

Watching the Death Star scenes, both the interior and the final attack, a wondered, “Just how big is it?” I’d always thought it was colossal, crammed with military arsenals for all kinds of operations and hundreds of thousands of stormtroopers. Like, mind-boggling overkill in every dimension. Watching it this time, though, I think it’s either much smaller than I imagined (or its size varies depending on the plot). I’ve always been mesmerized by its surreal, endless shafts, and vertical lighting that emphasizes them, but nevertheless the characters have no difficulty whatsoever navigating it.

Maybe that’s a case of the saying I’m told is attributed to Aristotle, “It’s better to make the impossible plausible than the implausible plausible.” I can believe in a moon-sized space station that can blow up planets, but I can’t believe the protagonists can run around inside like it’s not the Minotaur’s maze. On the other hand, Star Wars is a heroic epic, and perhaps the genre enables heroes to wander around the Death Star. I’m confident that a movie made today with a location like the Death Star would not work without more explanation of how the characters can move around so brashly. Now, I’m wondering how big it was in Lucas’ head. In my mind, it’s now much smaller in size and scope.

Additionally, the trash compactor monster bit was much sillier this time around. Then again, the Death Star’s interior is a different universe than the rest of the movie.

The Force:

The other thing we have to accept is how much subtler the Force is in Star Wars than its successors. Only when Darth Vader chokes the Death Star’s commander do we have any reason to believe that the Force permits telekinesis, but even that appears as a kind of magic or spooky mind control rather than physical action.

To be honest, I prefer this Force to what comes after. Once Luke uses Force telekinesis to pull his lightsaber to him from the snow in The Empire Strikes Back, the nature of the Force goes downhill, becoming an object of manipulation available to the chosen few. But in Star Wars there’s a possibility that if you believe in the Force, you can tap it to a degree, yet it just happens that no one believes in it. Now it’s just a vehicle for video game power-ups.

Han can question the Force as “hokey religion” in Star Wars because it’s so unobvious, but once we see Jedis whisking stuff around, it’s difficult to be incredulous. I appreciate The Force Awakens‘ attempt to remind us of this “Force doubt” when Han confesses to Rey that it’s all true, but if Kenobi just yanked Han’s blaster from his holster in the original, the issue would’ve been moot. If Han is our window into the everyday person’s perspective of the galaxy, it’s strange that anyone would be incredulous or forget about the Force and the Jedi.

The Villains:

One reason I think Star Wars works so well is that it doesn’t end with the protagonists killing the ultimate villain, the emperor. In fact, the lead villain, Tarkin, isn’t killed in personal combat with any of the main characters. Only Princess Leia ever interacts with him—or Darth Vader for that matter. Most other movies would add a scene where the (male) protagonists meet the villains (whether they’re captured or not), learn their plans, and then conspire to foil them. However, Star Wars goes nowhere near that. Only Princess Leia conveys the villains’ plans to the male protagonists, and it doesn’t matter because she’s the one in charge of the rebellion. Han bails once he’s paid, and Luke was going to join the rebellion anyway. Luke wasn’t even tasked with leading the attack on the Death Star; he’s charged with supporting the experienced commanders and only attacks himself when they fail.

Meanwhile, Tarkin isn’t a portrayed as a Ming-the-Merciless warlord, he’s a ruthless general. His motivation is to serve autocracy, and he’s fine with that. He’s evil, but professional. More importantly, Darth Vader obeys him, which is more evidence of a weaker (and I think better) conception of the Force than in all the sequels.

Princess Leia:

…Is not really a damsel-in-distress character as I imagined, other than being a princess. She isn’t captured out of her incompetence. In fact, she’s almost as trigger-happy as Han. She initiates the plot by loading the Death Star plans into R2D2 and rescues the male protagonists by discovering the trash compactor. The biggest complaint against her is that she rushes to the rebel base on Yavin knowingly allowing the Empire to track her. The movie should’ve given her a chance to explain this decision. Again, to its credit, The Force Awakens hints at this omission when Han tells Finn and Rey that they need a clean ship because the Millennium Falcon is “hot.”

Leia’s problem is that she’s introduced at the tail end of her story in order to tell us about Luke’s journey to embracing his paternal origin as galactic actor rather than withdrawn moisture farmer. That’s Star Wars‘ gender problem. Disney will never make it, but a Princess Leia prequel could be quite good. We could see her become tough as nails as she’s forced to decide whether to sacrifice innocent civilians to free the galaxy. Leia Guevara would be overboard, but it could draw the character better than Star Wars does with Luke.

I still haven’t read Dune, but…

Rewatching Star Wars left me with a somber realization: No number of re-viewings will give me the experience of seeing Star Wars as a twelve-year-old in 1977. Perhaps the First Gen X American can write that one up, but everything I know about Star Wars‘ origins and proximate impact is second hand. What I did see was a well-paced reduction of baby-boomer icons: the wild west cowboys, Buck Rogers, and WWII air battles. I haven’t read Dune, and I haven’t seen Kurosawa’s Hidden Fortress, but I know they’re in there as well.

Cramming all this stuff together should fail for its cumbersomeness. Certainly the pacing, the editing (love the wipes), special effects that work with and not against the story, and undoubtedly the score lift it beyond just being good or entertaining.

Whether Star Wars endured because ’70s cinema was “boring” or “cynical,” redeemed the post-Vietnam American psyche, or arrived just in time for folks like me to rewatch it endlessly on VHS, I don’t know. But if a movie was going to become American pop-culture religion, there could’ve been worse candidates, and Star Wars itself could’ve been much worse.